The genesis of the “Hint of Rosemary” lies within the CAGE which rehearses at Corinda State School on most Sunday afternoons. The CAGE was initially formed to recruit a group of adult beginner ukulele players and to bring them to performance standard for SPRUKE 2015. While many were indeed beginners there was also a smaller group of more experienced musicians who shared a common interest in popular music from the 50s to the 70s and who wished to focus on coming together to perform as a more intimate group.

We began rehearsing and as the group developed, we needed an identity and began throwing out ideas, some serious and some more light hearted. One of these was a suggestion that we call ourselves “A Hint of Rosemary” as one of the members of the group is named Rosemary. The name stuck and the identity grew. Our backgrounds are mostly a combination of teachers and healthcare professionals. The membership is not static as some of us still work while others enjoy retirement and travel so our travellers move in and out of the group depending on their travel plans.

The instrumentation generally comprises 5-7 ukuleles (concert, tenor and baritone), acoustic guitar, U-Bass and sometimes Cajon or other percussion. There is an eclectic mix of vocal styles and ranges so lead vocals are shared around depending on the songs we are working on with the remaining voices delivering a blend of close harmonies which is something the group has become renowned for.

Since our inception the “Hint of Rosemary” has performed widely and are regulars at SPRUKE, the Sunshine Coast Ukelele Festival at Kenilworth and other local venues. One of the highlights of our musical journey was being invited to perform as the support act for Vic Kena’s “The Australian Ukulele Show” at a fundraiser for St Sebastian’s Primary School. Following our performance at SPRUKE 2019 we are taking a break to recharge our batteries and hopefully will regroup in 2020.

Rod Iffinger

A terrific experience

Over the last few months David and I have participated in The Brisbane Lord Mayor’s Senior Concert Series, which is run each year in Brisbane, and culminates in the opportunity to perform in and around Brisbane city and in the Gala Production at Brisbane City Hall.

Each year there are ten Masterclasses presented by various “named” celebrities — Normie Rowe, Angela Toohey, David Rogers-Smith to name a few — who offer tips and tricks to enhance your performance.  These Masterclasses are not only fun, they are informative and a great opportunity rub shoulders and perform along side these wonderful individuals.

The Concert series is presented around Brisbane in various locations.  David and I had the pleasure of performing at Sunnybank Hills Shoppingtown this year and last year in 2 locations.

The experience is open to all seniors over 60 — we are not quite there yet, but there is always exceptions to the rule.

I would encourage anyone to take the time to explore this next year.

We had a great time and found this was a valuable learning experience.

Angela and David McGrath

Tyrone & Lesley at the Brisbane Festival

Celebrating 20 years of brilliance, Tyrone & Lesley are back for the Brisbane festival with a new show — “In a Spot”! A ukulele-led dance of screen and song where there are no wallflowers, Tyrone and Lesley in a Spot will transport you all the way to exactly where you are. It’s funny ha ha, funny weird and a little bit funny Valentine. It’s Tyrone. It’s Lesley. It’s their high spots in bright lights.

Get your tickets today.

The story behind Kine Kool and worthwhile lessons to share

Basically, it’s a philosophy of well-performed music, featuring ukulele, excellent vocals and having fun — a simple recipe that every ukulele band can follow …

But it can be more than that, and needs to be for longevity!

Kine Kool‘s had a couple of iterations and “re-inventions”, commencing in middle of 2013, when I joined a group of exceptional vocalists, led by an experienced vocal teacher. The group became ten, and different musical parts for each song made great music. But, with unique, complex arrangements, it’s necessary to have the whole group at every rehearsal, and this is challenging.

A major lesson for every group to learn is the difference between rehearsal and practice – practice is what you do to learn your part BEFORE you turn up to rehearsal! At rehearsal you need everyone ready to play their part together.

Practice=individual; rehearsal=group.

Why no longer a 10-piece?

Other than rehearsals, it’s important that there is music to perform that every member enjoys, and in which every member has significant part. It should be challenging, and stretching, but within everyone’s ability.

With ten minds to feed, it became obvious that although the performances and music were great, there were diverging views about song choice. Some members also experienced life changes which had them re-assessing how they allocated their time. Survival for a 10-piece group is exceptionally difficult, and there is significant work in creating an interesting arrangement for a 4-part vocal harmony, bass, baritone, tenor and concert ukuleles, Cajon and percussion.

The lesson – If you have many members, some will be lost in the crowd, and probably won’t contribute, and might become a distraction. Ensure everyone in the group has a genuine part to play, and is committed to turning up – whether it’s a duo or a 100-piece choir!

The next step

A mutual separation ensued, and I was gifted the name “Kine Kool”.

After considering the possibilities I decided that it wasn’t necessary to have such a large group to deliver interesting arrangements. So I teamed up with Steve Elbourn, who has a magic voice and plays ballad-style guitar.

Jim with well known international star at SPRUKE 2015.

After a little work, we decided to add a third member – an electronic drum machine (Alesis SR18) to create a fuller sound. The SR18 replaces the veteran SR16 which has served musicians across the world for over 20 years. It’s actually a 3-channel midi device, including capabilities to prepare a bass part as well as drums and percussion.

Does this work?

We have taken the path with ukulele aficionados to ensure that we match our performance with a screen displayed “cheat sheet” that allows the audience to immerse in the song’s arrangement. Not all arrangements are suitable for this. They might have a complex section, or are simply a duo between voice and ukulele.

We’ve received amazing responses to the couple of duos that we play. At Kenilworth in 2018, we were elated to suddenly find the audience engaged with our arrangement of Song Sung Blue so much so that both Steve and Stephen Sandilands (who was playing with us at that time) stopped to listen.

Kine Kool now! Still having fun! Jim & Steve Elbourne, Kenilworth, 2019.

Why are the arrangements different?

I’m fortunate that I learnt piano from age 5, matriculated with AMEB music and theory, and was asked to join the most popular band in town at age 18. We played clubs and cabarets, backed a new guest artist every week, and grew to be a 7-piece band playing everything from Chicago to Kris Kristofferson to a Kings Waltz – I even played for a ballet school!

Living in the 70s – Jim isn’t the one with the guitar.

We even managed to obtain the score of ”2001 A Space Odyssey” from Brian May (Melbourne Show Band 😊), that I have continued to play and learn all my life. About 20 years ago I began recording my own arrangements of covers.

The lesson here is that I also critically listen to every one of my recordings and arrangements. Even if you’re only playing a simple three-chord song and singing, you should record it for your own review. If you can, also video any live performances with the same objective.

Be critical, but remember the applause you received was because the audience appreciated you, and any errors have long since vanished from everyone else’s memory.

Whilst I have the technical skills to create complex arrangements, it’s most important to remember that the arrangement should honour the important elements of the original artist’s performance. It’s essential to respect the musicians.

BUT, with the limitations of just four strings, it is sometimes necessary to make significant changes. Be aware that this might take the song far away from the original, so that it becomes quite “awful”!

The lesson – Always find the original chart, key and tempo, if you’re able. Then you should learn the chords for this key. Look for different fingerings, and extend your skill set. Whilst we can easily make key changes for many songs, simply making a change to make it easier to play may be a very bad idea!

And for the vocalists, you do not need to sing in any particular key – you have a vocal range and THIS dictates if the song should to be transposed for you. If this is confusing – talk to an accredited vocal coach.


Want to hear some of the songs I mentioned above and make up your own mind?
From 1973 “New Direction – 2001 A Space Odyssey” and a Chicago song – both live recording performed as opening act for Brian Cadd in the Silver City. 7 piece, audio recorded only from the stage mics.
Kine Kool – 9-piece at Stellarossa – “Walking After Midnight”
Kine Kool – with Stephen Sandilands “Song Sung Blue”

Kine Kool – at  Sunshine Coast Ukulele Festival 2019 – “Diary”

Keep on strumming and come and play, sing, dance with or just listen to Kine Kool at SPRUKE 2019 – Saturday morning 10:15 am – in The Lounge at the Sunnybank Community & Sports Club. 😊


Weddings, Parties, Almost Anything!

The diversity and creativity of our band Mama Juju & The Jam Tarts can be a blessing and a curse. When asked, it is sometimes a real a struggle to describe what sort of band we are, what type of music we play and what sort of events we play at … I guess the answer is we will give almost anything a go! Celtic, blues, jazz, rock, country and more!

Mama Juju & the Jam Tarts at a recent performance.

The roots of the band go back 19 years to when Julie was selling her Bodhran (Irish drum) and met Vicky. She was invited to join Irish Folk band Thornlands, who recorded 2 CDs and performed at Folk festivals from Tassie to North QLD before going their separate ways. In 2010 Julie formed a jazz/ blues duo with guitarist Sugar Cane Slim and earned the nick name Mama Juju. Fast forward to 2015 Mama Juju and The Jam Tarts original line up Mama Juju, Vicky Velour (MacDonald), Cath McCourt and Trish Rodwell (Rockwell) got together to play at a party just for fun. It was fun, the music seemed to hit a spot with the party goers and we ended up with some more bookings so we decided to keep going!

Mama Juju & the Jam Tarts tea party.

The current band line up is Mama Juju, Vicky Velour, Trish Rockwell and Connie D and between us we own more instruments than we can bring along to any one gig. All of us sing lead vocals and work on tight harmonies for many of our songs. We also tend to swap instruments between us during our performances which adds to the action and mayhem on stage.

A fact most people don’t know is that all four of us play ukulele. However, we like to have a full band sound so the drums, bass and other instruments all play a part. Juju plays tenor uke, guitar, bass and harmonica.

Trish loves to play anything percussive from drum kit, hand drums, wood blocks to washboard and lagerphone, she’s even been known to drum on tractor tyres and kitchen kettles. Other instruments Trish plays when given the chance are harmonica, tenor guitar, baritone and tenor uke.

Vicky plays flute, piccolo, guitar, bass, kazoo, baritone, tenor uke, newly added keytar and pretty much anything she can get her hands on!

Connie plays bass, drums, harmonica and guitar. This year she surprised us all by picking up a solid bodied electric uke and playing some rip – roaring solos which is a welcome addition to our ukulele band sound.


What is on the horizon for us next?  We are playing at a wedding at Sirromet and there are a some parties of course! We are also very excited to be at two festivals in September – Redfest, and as one of the headline acts for the Friday night cabaret at  Brisbane’s own ukulele festival SPRUKE.  You can find out more about us at and

Julie Minto (aka Mama Juju)

One of the benefits of playing in a BUMS community band is that you get to meet like-minded performers. And that’s how it was with our band. We all play with NUMB BUMS on the Northside and shared a love of similar music genres.

L-R Frank Buckley (tenor), Ginny Michel (tenor & vocals), Peter Grace (tenor & vocals), John Low (baritone, occasional vocals), Caroline Haig (8 string tenor & vocals) and Chris Slater (bass, occasional vocals) seated.

In early 2017, Chris, John and Pete had been meeting at Frank’s place in Redcliffe for informal practices when Jude, Frank’s wife asked if we realized we all had saintly names – Christopher, Francis, John and Peter. At that moment, we became the Ukulele Saints.

We are all members of NUMB BUMS and became friends through practices and performances.

The Saints practise every week, even when one of us is away or unavailable, and have a good and growing song list. We cut our performance teeth leading sets at the Northside and Coorparoo jams, and have performed at some aged care and retirement homes, community markets, at Newkulele in 2018, and for Brisbane City Council volunteers at Mt Cootha.

Frivolity. Fun. Friendship. Feet — and thinking on them. Just a few of the words I associate with Hypnotonics and the Sunshine Coast Ukulele Festival.

Hypnotonics has been around for about a year, and is made up of some familiar BUMS faces: Amanda Allwood, Mark Bradshaw, Salli Chmura, Cath McCourt, and Trish Rodwell.

Salli, Cath, Mark, Amanda & Trish


We all met through playing in other BUMS groups, and realised fairly quickly that we had a great time rehearsing and performing together.

For the Sunshine Coast Ukulele Festival this year we decided on a set with a difference to highlight the versatility of our newest member Salli! As well as ukulele, Salli plays a mean clarinet, flute, recorder and saxophone.

With 12 weeks to go until SCUF Salli showed her musicality and grit when, having broken her arm, she re-learned all of her solos one handed on the keyboard! (Remember that bit about feet and thinking on them?).


Hypnotonics is made up of some extremely talented musicians that I am proud to call my friends. We always have a great time and the audience does too. Come and check us out around the place.

Hypnotonics performing at SCUF 2019. Photo by Julie Minto.

BUMS Big Band members, Amanda, Maggie & Phil, enjoy catching up at SCUF.

For me, personally, part of a band has always been so much more about the friendships with the music as an added bonus. If anyone is thinking about taking their playing further I highly recommend getting involved in a performing group!

None of what we do would have been possible without BUMS! I’ve been a member now for 9 years and the one thing that never alters is the joy the ukulele brings! Friendships forged stand the test of time.

There was even an impromptu reunion of a few of the BUMS Big Band members — Amanda, Maggie, Jack, Phil, Mark, Cath and John H!

Get amongst it! Live large! Sing and play with others! Find your groove, and you could be the next one having the time of your life with a group like Hypnotonics!
By Amanda Allwood

NUMB BUMS was the second community band formed by BUMS. Established in 2013, and the group made its debut festival performance at SPRUKE that year. In case you’re wondering, the name stands for Northside Ukulele Musicians Branch of the Brisbane Ukulele Musicians Society Inc. BUMS Inc members who are interested in joining a community band are welcome to come and ‘test the water’ at the group’s weekly sessions at 7:00 pm on Monday evenings at the Zillmere Community Hall on Murphy Road. If you want to know more, please email the Gigmeister ( One of the band’s lead singers, Peter Grace, tells us about the bands activities for 2018.


For me, it’s been another entertaining year as a member of NUMB BUMS. We are the BUMS community band based on the Northside of Brisbane.

As with other groups, the membership of the band varies due to a range of factors including work, travel, health and family. This year, there have been 13 ‘regulars’ who have formed the core for our practices and performances. We lost some of our female singers during the year, and were delighted to welcome two newcomers just in time for Christmas.

We have a very talented team. Several of our members branched out and complemented our performances with instrumentals on other instruments.

John F on didge

Marg R on spoons

Peter G on jug

Salli C on flute.

Andrew H on drums

Zoe W on recorder







Over the year, we have performed at 13 functions including BUMS jams, retirement and aged care facilities, for Christmas functions and charitable groups. Also, ten NUMB BUMS members were part of the BUMS Festival Group (BFG) that performed at the Newkulele Festival in Newcastle in October.

Ken Carter runs an improvisation workshop at band practice.

Developing our skills and confidence is a key aim of NUMB BUMS. Being in an enthusiastic group of players means all sorts of opportunities come up to perform at jams, opens mics and in other groups. When I glance down the list of our members, I note that all of us have performed publicly in other settings this year. Ahh – the ukulele can take you anywhere. Peter Grace

Fun behind the scenes.

By the end of their second year playing together, the chUKES were ready to take on the world! Well, Bulimba Ukulele Festival and QPAC’s Bands on the Green anyway. Which they very succesfully did. Setting the bar high, with repertoire from recent charts hits, favourites of individuals in the band and a few classics thrown in by their director, the challenge was to memorise! And just as well they did, as the stage at Bulimba barely fitted them all with no room left for music stands, and the storm that blew through Southbank on the night they played there in December made that step forward very worthwhile as they kept right on playing while the wind whirled leaves and banners around the stage and stage crew ran to catch equipment.

Earlier in the year, sucessful gigs had included leading a set at Cooparoo Jam night, playing for the Oxley Community Bands on the Green,  and Graceville UC and Milpera’s Art Exhibition.

Oxley Community Bands on the Green

The chUKES were proud to sing in the Indigenous Yuggera language while on Yuggera country. This new song which was co-written by Gaja Kerry Charlton and local school students, seeks to acknowledge our Frist Peoples, a very important step in reconciliation and celebrating 2019 as a year of Indigenous Languages.

And of course, finishing the year alongside the CAGE at the Pajama Foundation Christmas Party and the Oxley Community Carols were a great way to get into the festive season.

Oxley Carols Evening

As member grow older we’ve had a couple of people ‘retire’ from chUKES to concentrate on their high school studies. We are looking for some new members to join us this year. You’ll need to audition – a very casual audition – by playing and singing a song of your choice including at least 3 chords. Contact Megan on for more information.

Rehearsals are held 1st, 2nd and 3rd Sunday’s of each month (except school holidays), at Corinda State School.

Free Range chUKES play at the Green Jam at QPAC, South Bank


The chUKES are looking forward to performing a set at the Sunshine Coast Ukulele Festival in April 2019, and playing at local school and community events throughout the year.

Wow, what a tremendous year for The CAGE!

With a slow start performance wise, we put our heads down to work on new pieces. We were fortunate to have a CAGE member by the name of Becky Lochel to put her hand up to co-lead with Ian Phillips. What a wonderful job she has done.

The CAGE at Oxley

We have ventured to, and participated in, a variety of events this year: QPAC on the Green, Oxley Bowls Club for Neighbourhood Watch, Music on the Porch Day, Performing with the Ignite Choir, PJ Foundation Christmas gig, Brookfield Christmas Bash , the Oxley Christmas Carols as well as leading sets at a couple of Coorparoo jams.

Brookfield Bush Christmas

We rest for now and return on Australia Day to perform at the local Australia Day gig at the Oxley Bowls Club. We officially start back for band practices on Sunday 3 February at Corinda State School. Players of all abilities are welcome. We hold beginners’ classes from 1:00 pm. Singing lessons will be introduced for individuals from 1:30 pm with The CAGE rehearsals starting at 2:00 pm.

With 2019 being a SPRUKE year, we will preparing hard for this. If you wish to start a new venture on the uke, give us a try. For more details about joining The CAGE, email Ian Phillips at